India’s Democracy a Farce as film ‘Satluj’ banned for Highlighting State-Sanctioned Killings

Ban on Diljit Dosanjh's human rights drama exposes uncomfortable truths about state atrocities and broken promises to Sikhs.  

July 7, 2026 at 4:58 PM
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ISLAMABAD:In a move that has sparked outrage across political and religious lines, India, the world’s largest democracy, has banned the film Satluj (formerly Punjab 95), a powerful cinematic chronicle of state atrocities against Sikhs and the courageous fight of human rights activist Jaswant Singh Khalra.

Originally scheduled for release in 2025, the film was finally permitted after a name change and a staggering 127 cuts demanded by the Central Board of Film Certification. Yet, just two days after its release, the platform was directed to remove the film from Indian viewers, citing “security concerns” and obligations under IT Rules 2021. The message was clear: some truths are too uncomfortable to be told.

The story that could not be told  

Satluj chronicles the life of Jaswant Singh Khalra, a human rights activist who dedicated his life to documenting the dark chapter of Punjab’s history between 1984 and 1995.

During this period, counter-insurgency operations resulted in mass arbitrary detention, torture, extrajudicial killings, and enforced disappearances of thousands of Sikhs. Khalra’s investigation led him to municipal cremation records in Amritsar, where he uncovered evidence that thousands of unidentified bodies, young Sikh men, had been illegally cremated by the police without their families ever being informed.

“Khalra dedicated his life to bringing that painful period of Punjab’s history to the world. With his efforts, thousands of families had hope of justice for their young sons who had gone missing,” said Shiromani Gurdwara Parbandhak Committee (SGPC) President Harjinder Singh Dhami. “The sad part is that Khalra, who was the hope of the people, was also brutally killed by the police”.

In September 1995, Khalra was abducted outside his home in Amritsar. After a decade-long legal battle, four Punjab Police personnel were convicted for his abduction and murder in 2005, with the Punjab and Haryana High Court enhancing their sentence to life imprisonment in 2007.

A history of broken promises

The film’s silencing evokes painful memories of promises made and broken to the Sikh community. At the time of Partition, Jawaharlal Nehru offered Sikhs semi-autonomous status and offered an autonomous Sikh homeland within India, a parallel parliament, and reservation of key positions, including Deputy Prime Minister.

Nehru also made vague commitments, stating at the 1929 Lahore Congress session that the “brave Sikhs of Punjab are entitled to special consideration” and supporting “semi-autonomous units.”

Sikhs chose India, but the promises remained unfulfilled. After independence, states were reorganised on linguistic grounds. Sikhs, a minority in Eastern Punjab, demanded a Punjabi-speaking Suba without Hindu-majority Himachal and Haryana, sparking the Punjabi Suba Movement. In 1955, the State Reorganisation Commission rejected the demand, arguing that “Punjabi was not distant enough from Hindi.”

After years of agitation, Punjab was finally created in 1966, but disputes over the shared capital and river control led to the Anandpur Sahib Resolution of 1973, demanding greater autonomy.

The central government labelled these demands secessionist. To break the Akalis, Indira Gandhi encouraged a more radical alternative: Sant Jarnail Singh Bhindranwale. Punjab descended into a full-fledged separatist movement.

In 1984, the Indian army attacked the Golden Temple in Operation Blue Star, leading to Indira Gandhi’s assassination and the 1984 Sikh pogroms. Khalra documented the subsequent period from 1984 to 1995, marked by brutal counter-insurgency operations.

A nation afraid of its own history

The ban on Satluj has drawn sharp criticism from across the political spectrum. Shiromani Akali Dal president Sukhbir Singh Badal condemned the move, calling it “an assault on our collective memory, truth, and freedom of expression”. “Punjab deserves to confront its past with honesty, not suppression,” he said.

Senior Congress leader Sukhpal Singh Khaira noted that the film’s removal contradicts the Supreme Court’s decision that upheld the conviction of police officers responsible for Khalra’s abduction. “This film is based on true facts that were upheld by the Hon’ble Supreme Court of India while convicting guilty police officers,” he said.

AAP MP Malvinder Singh Kang drew a sharp contrast, stating, “Propaganda-driven films such as The Kashmir Files and The Kerala Story were promoted and screened without obstruction. Yet when a film raises uncomfortable questions about the human rights violations and atrocities in Punjab, it disappears from an OTT platform”.

A legacy of loss and addiction

The heavy-handedness that quelled the insurgency did not end the suffering. Since the early 2000s, Punjab has been flooded with synthetic drugs.

According to a 2017 NCBI NIH report, over 75% of Punjab’s population is addicted, and nearly every third family has one addict. Nearly 66% of school children have tried drugs. One generation was killed being labelled terrorists; another has been lost to drugs.

Human rights activist and US Congressman Edolphus Towns noted, “Under the umbrella of democracy, India has killed more than 2.3 to 3.2 million Sikhs since 1947.” The 25,000 documented cases that Khalra exposed were merely the tip of the iceberg.

A voice silenced, but not forgotten

The director of Satluj, Honey Trehan, had earlier stated, “CBFC tells us to change the name of Jaswant Singh Khalra, the real-life person on whom our film is based. What they are asking is the deletion of the name of a martyr from our history. Jaswant Singh Khalra has been abducted once again; this time by the CBFC”.

Diljit Dosanjh, who portrayed Khalra in the film, had anticipated the suppression. In an Instagram Live session, he said, “Today is Saturday. I feel it could be taken down by Monday”. He later added that Khalra’s voice had been suppressed in 1995 and was being suppressed even today.

Satluj may have disappeared from Indian screens, but Jaswant Singh Khalra’s question remains alive: who has the right to bury truth, and for how long? As the SGPC president declared, “The pages of history cannot be erased, nor can the truth be silenced through any ban”

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